Triangular Book - Legacy of the Count of St. Germain

On Immortality, Treasures, and Ancient Wisdom

The winged dragon, Getty MS 210

The first time I wrote about this dragon I described it like this: the snarling little face on the tail, the missing hind legs, the human eye set among the plumage. I want to come back to it, because since then the cipher has told us something the picture alone cannot. The book's first sentence does not merely show a dragon: it names it.

Deciphered, that sentence reads: La Magie Sainte, révélée à Moyse, retrouvée dans un monument Egyptien & précieusement conservée en Asie sous la devise d'un dragon ailé — “Holy Magic, revealed to Moses, found in an Egyptian monument, and carefully preserved in Asia under the device of a winged dragon.” The word is devise: a device, an emblem, a badge. The creature on the front is the book's own coat of arms.

Where would a French author of the period get the idea of an Asian magic kept “under the device of a winged dragon”? He would get it in print. In 1735 the Jesuit Du Halde, in the standard French account of China, calls the imperial Chinese dragon la devise de la Chine (“the device of China”) and explains that only the emperor may draw it with five claws; everyone below him is held to four, on pain of punishment. Two years later a French flag-book, La Connoissance des pavillons (1737), pictures the emperor's own banner and blazons the beast on it:

Il est jaune, chargé d'un Dragon de sable, à la queuë de Basilic de même, à cinq Griffes à chaque patte, & la tête tournée en dehors — “It is yellow, charged with a dragon sable, with a basilisk's tail, five claws on each foot, and its head turned outward.”

Now read that caption with our dragon in front of you. It carries five claws on each foot (in the finer of the two copies), its head is turned outward, and the whole thing is offered, in the book's own word, as a devise. The banner even gives its dragon “a basilisk's tail,” and ours ends in that strange second little face. The vocabulary of the emperor's dragon is sitting on the title page of a French grimoire.

The emperor's dragon banner, La Connoissance des pavillons (1737)

And then you look at the flag itself... and the comparison spell breaks. The engraved dragon on the banner is a plain four-legged creature with a single curled tail. It looks little like ours, which has no hind legs at all, bat wings, and a body built to a European heraldic pattern. So the book did not copy the picture. But it copied the words. Its author drew an ordinary European wyvern and dressed it in the Chinese emperor's blazon: the five claws, the turned head, the devise of Asia, lifted off the page and painted onto a creature that was never Chinese to begin with.

That leaves one unexplained feature. Among the coloured feathers sits a human eye, modelled like a portrait miniature. Another animal on the same leaf was given an ordinary round eye, so this was no accident. French heraldry even has a name for the type, a dragon à face humaine (“a dragon with a human face”). The badge is borrowed. The eye looking out of it is the painter's own.

Before any new posts go up, a housekeeping one. This project has been running for a few years now, and the research has progressed. Some of what I wrote in the early posts is no longer accurate. Most corrections already appear as a short note next to the passage they fix, on the original post. A few had not been marked. Below is the full list, gathered in one place.

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Once again, we return to the ritual circle, and more precisely, the triangle within it. As you may recall from a previous post, we see three letters in the corners (going from bottom left to top center to bottom right): V, P, T.

Ritual Figure

These three letters represent the key words of an alchemical concept: Vita Prima Tria, the Three Vital Principles, introduced Paracelsus in the 16th century.

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Let us return to the Circle, also known as the Ritual Figure in the Triangular manuscript:

As mentioned earlier, we have an arrangement for a figure meant to be drawn on the ground during the ritual. But is there more to it?

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I want to acknowledge the people who have been not only reading these musing but also providing their perspectives and insights by sending me emails. Thank you.

I read all of your correspondence with interest, even though I do not have a chance to respond to everyone. I live very far away from people. My access to the internet and other forms of telecommunication requires making a multi day trek on foot and so happens infrequently – sometimes once every few months.

Much more remains to be said on the subjects of longevity, ancient mysteries, and magic. Keep in touch.

The big promise of magic, especially that attributed to the Count of St. Germain, is longevity or even immortality. While the spirits insist that true immortality is out of reach to humans “by design,” the possibility of life extension by hundreds or even thousands of years exists.

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Following the enigmatic introduction, there is an illustration of a dragon, a most unusual and curious example of this creature. It has a small snarling face on its tail, a lack of hind legs, and its posture suggests a Lion rampant rather than the typical fire-breathing wyrm.

Its tongue has a triangle tip, it has distinct five claws of a Japanese vs. Chinese dragon, and amidst its colored plumage can be seen a remarkably well-painted human eye.

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Longevity is the key secret of the Count of St. Germain. Centuries of time have dimmed the other, lesser known legends of his immense knowledge, wealth, and mysterious origin. So what did the Count recommend to all those who sought this precious gift of long life? It was the following recipe, presented clearly for the first time in nearly 300 hundred years.

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The circle is an essential component of every magical ritual. It is a special delineated space for magician to operate, offering both safety and visibility. By examining the words and figures that make up the circle we can gain an understanding of both the ceremony and its creator/operator. Here is the circle as given in the Triangular Book.

We note a few things of interest.

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The first words of the Triangular Book, and what becomes its identification in libraries and catalogues, are in Latin:

.::. Ex Dono Sapientissimi Comitis St. Germain Qui Orbem Terrarum Per Cucurrit

“Presented as a gift by the wisest Count of St. Germain, a man who has traveled the world.”

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